Bibliografia
Improvisation as anarchist organization
David M. Bell ephemera 2014
Musical friends and foes: The social cognition of affiliation and control in improvised interactions
Jean-Julien Aucouturier ⇑, Clément Canonne 2017
CNRS Sound and Technology of Music and Sound (UMR9912, CNRS/IRCAM/UPMC), 1 Place Stravinsky, Paris France
The Art of Becoming: How Group Improvisation Works - D. J. Schmalenberger
Choice: Current Reviews for Academic Libraries 2021 Vol. 58 Issue 11 Pages 1084-1084
Creativity, Cognitive Mechanisms, and Logic
Ahmed Abdel-Fattah, Tarek Besold, and Kai-Uwe Kühnberger University of Osnabrück, Albrechtstr. 28, Germany,
Play together, think alike: Shared mental models in expert music improvisers
Cle ́ment Canonne
Department of Musicology, Universite ́ de Bourgogne, Dijon (France)
Jean-Julien Aucouturier
Improvisation and the Creative Process: Dewey, Collingwood, and the Aesthetics of
Spontaneity
Author(s): R. Keith Sawyer
Source: The Journal of Aesthetics and Art Criticism, Vol. 58, No. 2, Improvisation in the Arts (Spring, 2000), pp. 149-161
Published by: Wiley on behalf of The American Society for Aesthetics
Stable URL: http://www.jstor.org/stable/432094
Accessed: 27-09-2017 21:51 UTC
Organizational Improvisation and Organizational Memory
Author(s): Christine Moorman and Anne S. Miner
Source: The Academy of Management Review, Vol. 23, No. 4 (Oct., 1998), pp. 698-723 Published by: Academy of Management
Stable URL: http://www.jstor.org/stable/259058 .
Accessed: 23/09/2013 16:39
Johnson-Laird, P. N. (1988). Freedom and constraint in creativity. In R. J. Sternberg (Eds.), The nature of creativity: contemporary psychological perspectives. Cambridge: Cambridge University Press.
COGNITIVE PROCESSES IN IMPROVISATION
Jeff Pressing La Trobe University
Elsevier Science PublishersB.V.(North-Holland), 1984
Musical Creativity
Multidisciplinary Research in Theory and Practice
Edited by
Irène Deliège and Geraint A. Wiggins 2006
Distributed Creativity
COLLABORATION AND IMPROVISATION IN CONTEMPORARY MUSIC
Edited by
Eric F. Clarke Mark Doffman Oxford 2017
BAILEY, Dereck. Improvisation: its nature and practice in music. USA: Da Capo Press, 1993.
NACHMANOVITCH, Stephen. Ser criativo: o poder da improvisação na vida e na arte.
Trad. Eliana Rocha. São Paulo: Summus, 1993.
Sound & Score
Essays on Sound, Score and Notation
Edited by
Paulo de Assis William Brooks Kathleen Coessens 2014
Roger T. Dean, Freya Bailes & Jon Drummond (2014) Generative Structures in Improvisation: Computational Segmentation of Keyboard Performances, Journal of New Music Research, 43:2, 224-236, DOI: 10.1080/09298215.2013.859710
GIVAN, Benjamin. "Jazz Taxonomies". Jazz Research News 10 (2003): 472–86
IMPROVISATION: METHODS AND MODELS
in: Generative processes in music
(ed. J. Sloboda) Oxford University Press 1987
Jeff Pressing
IMPROVISATION: METHODS AND MODELS
in: Generative processes in music
(ed. J. Sloboda) Oxford University Press 1987
Jeff Pressing
ROger Dean New Structures in jazz an improvised music since 1960 - 1992 open university press
Musical Improvisation and the Academy
JESSE STEWART
Department of Music | Carleton University | Canada* 2016
Fazendo música juntos ou improvisação e seus outros
Nicholas Cook (Royal Holloway, UK) Nicholas.Cook@rhul.ac.uk 2007 (trad., Boren)
Studies in Historical Improvisation
From Cantare super Librum to Partimenti
Edited by Massimiliano Guido routledge 2017
Callingham, Andrew Edward (2007) Spontaneous music : the first generation British free improvisers. Doctoral thesis, University of Huddersfield.
Improvisation: An Always-Accessible Instrument of Innovation Author(s): Beate Kutschke
Source: Perspectives of New Music , Summer, 1999, Vol. 37, No. 2 (Summer, 1999), pp. 147-162
Published by: Perspectives of New Music
The Cognitive Neuroscience of Improvisation
Aaron L. Berkowitz
The Oxford Handbook of Critical Improvisation Studies, TODOS OS ARTIGOS DESTA COMPILAÇÃO Volume 1 Edited by George E. Lewis and Benjamin Piekut
Cardew, Cornelius. 1971. “Towards an Ethic of Improvisation”. In: Treatise Handbook, pp. 17- 20. New York and London: Edition Peters.
Cannone, Clément and Nicholas Garnier. 2015. “Individual Decisions and Perceived Form in Collective Free Improvisation”. Journal of New Musical Research 44 (2): 145-167.
Caporaletti, Vincenzo. 2005. I processi improvvisativi nella musica: un approccio globale. Lucca: Libreria Musicale Italiana.
COSTA, R.L.M. A improvisação livre, a construção do som e a utilização das novas tecnologias. Revista Música Hodie, Goiânia, V.15 - n.1, 2015, p. 119-131
The Routledge Handbook of Philosophy and Improvisation in the Arts
Edited by
Alessandro Bertinetto and Marcello Ruta
Freedom and Responsibility: The Aesthetics of Free Musical Improvisation and Its Educational Implications—A View from Bakhtin
Author(s): Panagiotis A. Kanellopoulos
Source: Philosophy of Music Education Review , Vol. 19, No. 2 (Fall 2011), pp. 113-135
Alessandro Bertinetto The Aesthetic Paradox of Artistic Improvisation
(and its Solution) Proceedings of the European Society for Aesthetics
Volume 13, 2021 Edited by Vítor Moura and Connell Vaughan
From Music to Sound
The Emergence of Sound in 20th- and 21st-Century Music
Makis Solomos
Routledge 2020
Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session
Roger Mills
University of Technology Sydney Sydney, NSW, Australia
Springer Series on Cultural Computing , 2019
Images to Play: an Improvisation Model between Visual Arts and Music Chapter · January 2020
Sandra Fortuna
Prescriptive and Descriptive Music-Writing
Author(s): Charles Seeger
Source: The Musical Quarterly , Apr., 1958, Vol. 44, No. 2 (Apr., 1958), pp. 184-195 Published by: Oxford University Press
Investigating the cognitive foundations of collaborative musical free improvisation
Experimental case studies
using a novel application of the subsumption architecture
Author:
Adam Linson open university 2014
MATTEO CIACCHI
IMPROVISAÇÃO LIVRE E FORMA: Processo criativo entre estímulos e efeitos , 2019
IM-OS Carl Bergstrøm-Nielsen
Performance na música experimental
Fernando Iazzetta Performa ’11 – Encontros de Investigação em Performance Universidade de Aveiro, Maio de 2011
Manuel Silveira Falleiros